New Releases
On his fourth project for the Mack Avenue label imprint Artistry Music, Brian unleashes another wide palette of styles letting the chips fall where they may. It’s a decidedly funky 13-track set that features a killer horn section and includes not only evocative original compositions but also two cover songs that are sure to raise some eyebrows.
Nobody on today’s contemporary urban jazz scene knows more about the power of perfect, timely partnerships—or what it takes to keep the #1 hits coming—than Rick Braun.
“Hey fellas, I got a message for ya. Listen up...”
That's the first thing Johnnie Bassett has to say on The Gentleman Is Back, the legendary Detroit guitarist and singer's new album — just before he delivers the lightly stinging licks that are his playing trademark.
Produced by McBride, Kind Of Brown is a collection of hard swing-to-bluesy groove tunes that the leader says he put together to give the members of his new ensemble “something to sink their teeth into.”
Co-produced by Erin Davis (son of Miles) and Kyle’s long term writing partner Michael Stevens, the new album is set to capture the attention of the jazz world with its forward thinking style and stars which represent the cream of today’s jazz musicians followed by a worldwide tour in late 2009.
Where do you go from #1? If you’re veteran saxophonist Richard Elliot, long known as the “James Brown of Contemporary Jazz” for the intense soul inspirations of his recordings, a relentless tour schedule and joyfully exhausting onstage performances, you dig deep into your R&B/jazz roots.
Along with Carl Allen and Rodney Whitaker, Work To Do features a stellar cast of musicians: Vincent Chandler – trombone; George Colligan – piano and Fender Rhodes; Vincent Herring – alto and soprano saxophone; Rodney Jones – acoustic and electric guitar; Brandon Lee – trumpet; Dorsey “Rob” Robinson – B3 organ and piano; and Kirk Whalum – tenor and soprano saxophone.
Back when Jackiem Joyner was gigging on tour with Marcus Johnson and Bobby Lyle from 2001-2004, the two contemporary jazz keyboard greats came up with the perfect nickname for the rising saxman and his ultra-sensual, easy flowing vibe. “Ladies and Gentlemen,” they’d shout out, “give it up for Lil’ Man Soul!”


