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Joey DeFrancesco – Organ, Keyboard, Trumpet

Pharoah Sanders – Tenor Saxophone, Vocals

Billy Hart – Drums

Troy Roberts – Saxophones, Acoustic Bass

Sammy Figueroa – Percussion

NEW ALBUM

In The Key Of The Universe

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As he’s made abundantly clear over the past 30 years, Joey DeFrancesco has plenty of soul. What most listeners probably haven’t spent much time pondering is that soul’s place in the universe. On his adventurous new album, In The Key Of The Universe, the master organist turns his musical attentions to his spiritual side, tapping into a strain of metaphysical jazz that’s fueled sonic searchers for more than half a century. Joey D calls upon disciples and missionaries of jazz to join him in paving the way to enlightenment. 

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Joey DeFrancesco

Product#: MAC1121|Released: 03/10/17

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As he’s made abundantly clear over the past 30 years, Joey DeFrancesco has plenty of soul. What most listeners probably haven’t spent much time pondering is that soul’s place in the universe. On his adventurous new album, In The Key Of The Universe, the master organist turns his musical attentions to his spiritual side, tapping into a strain of metaphysical jazz that’s fueled sonic searchers for more than half a century. Joey D calls upon disciples and missionaries of jazz to join him in paving the way to enlightenment.

In The Key Of The Universe, due out March 1 via Mack Avenue Records, arrives almost exactly 50 years after the release of Karma, the landmark album by legendary saxophonist Pharoah Sanders. One of the primary exponents of spiritually-oriented jazz, Sanders makes three guest appearances on the album, including an update of his best-known track from Karma, the cosmically influential “The Creator Has A Master Plan.” Playing drums on that track was the great Billy Hart, who reunites with Sanders as well as DeFrancesco, with whom he’s worked several times over the years since joining the organist for his 1989 album Where WERE You?

Hart makes up part of the core band for In The Key Of The Universe along with percussion virtuoso Sammy Figueroa, another Where WERE You? alum who has played with almost literally everyone over the years, from Miles Davis and Sonny Rollins to David Bowie and Patti Smith to Mariah Carey and Diana Ross. The multi-talented saxophonist Troy Roberts, a frequent collaborator in recent years, shows off his skills on tenor, soprano, alto, and even the acoustic bass. At the center of it all is the always scintillating organ work of DeFrancesco, who retains his trademark robust swing and gritty funk while striking out in freer, more exploratory directions.

An artist who's always been deeply attuned to the full history of jazz and able to tap into it in innovative ways, DeFrancesco naturally feels a profound connection to the questing, devotional jazz of forebears from Sanders to John Coltrane to John McLaughlin. It may seem like a change in direction, but unexpected travels into new territory has been a central tenet of DeFrancesco’s music throughout his remarkable career.

“I pride myself on being a musical chameleon,” the organist explains. “There’s so much good music that it’s hard to stay in one place, at least for me. I love being able to go in any direction, and lately that’s sent my music in a more free jazz direction – but still with a groove.”

That adaptability is something that DeFrancesco also recognized in Pharoah Sanders, whose own work has long delved into myriad stylistic approaches. But for In The Key Of The Universe, DeFrancesco wanted the sax giant to tap into that spiritual vein that so memorably flows through his distinctive sound. “Pharoah is one of the go-to guys when it comes to that spiritual aspect of the music,” he says. “A lot of people do that kind of thing, but I like to go directly to the source, and he really is the source.”

In many ways an entire subgenre of consciousness-expanding jazz can be traced back to Karma and more specifically “The Creator Has A Master Plan,” the 32-minute epic that takes up almost the entire album. DeFrancesco’s rendition whittles the piece down to a relatively succinct 11 minutes, though without losing any of the original’s transcendent power, which DeFrancesco felt like a jolt in the studio.

“As soon as Pharoah picked up his horn and started playing that melody, my hair just stood straight up,” he recalls. “Then Billy started doing his thing with the mallets, wide open and free. Once it gets going it’s so hard to stop; you could listen to that vibe forever. It was almost an unexplainable feeling – absolutely a downright spiritual experience.”

Sanders also lends his singular tenor sound to the enthralling title track, on which he plays in tandem with Roberts, and to the more tender “And So It Is,” where he’s paired with DeFrancesco’s trumpet playing in addition to his cascading organ sound. All three tracks showcase Sanders’ unparalleled ability to be simultaneously raw and refined, mesmerizing and ferocious.

The rustling of Figueroa’s percussion paired with Roberts’ keening soprano usher in the album with DeFrancesco’s “Inner Being,” whose introspective opening gives way to a blissful groove. An Indian-inspired drone underlies “Vibrations In Blue,” where Hart’s hypnotic rhythms usher in the exotic, interlaced voices of Roberts and DeFrancesco. The buoyant “Awake And Blissed” follows, a rollicking mission statement highlighted by the leader’s fleet, jubilant keyboard runs. “It Swung Wide Open” picks up the pace even more for a blistering jaunt that shines the spotlight on Hart’s taut, stop-on-a-dime rhythmic control.

The band pares back to a trio for the lush “Soul Perspective,” which gives ample space to Roberts’ stirring, passionate tenor. That sound turns breathy and intensely moving on the absorbing ballad “A Path Through The Noise,” which derives its meditative atmosphere from the combination of DeFrancesco’s shimmering organ vibe and trumpet solo, Hart’s exquisite brushwork, and Figueroa’s crystalline accents. The album concludes with the touching, heartfelt bossa-tinged reflection “Easier To Be.”

“The direction in which my life is going always affects what I’m doing musically,” DeFrancesco says. “As I grow older, I find myself attracted to a more spiritual vibe. It’s always been that way, to some extent – especially playing music and going into the zone, which has to do with being in touch with the universe. It’s not about religion, it’s just a spiritual vibe that respects everything, in music and in life.”

“It’s not about religion, it’s just a spiritual vibe that respects everything, in music and in life.”

News

REVIEW: Joey DeFrancesco’s New Album, “In The Key Of the Universe”   01.09.17

Though there’s plenty of bounce and swing in play throughout the 10-track program, DeFrancesco’s self-professed embrace of spiritual jazz employs the kind of contemplative aura that gave so many of yesteryear’s exploratory efforts their personality. Functionally, it can come from the use of dreamy long tones and pensive phrasings. At several points here, a simmering heat, rather than a roiling squall, shapes the record’s temperament.

Take Five: Joey DeFrancesco, GoGo Penguin, Akua Dixon, Petros Klampanis, Billy Mintz   01.09.17

The word “freedom” clearly resonates for Joey DeFrancesco, the Hammond B-3 organ kingpin and veteran hard-bop messenger. 

Joey DeFrancesco & The People: Project Freedom   01.09.17

No one alive does it better than Joey DeFrancesco, and he takes you to Sunday Morning Revivals here with a team of Jason Brown/dr, Troy Roberts/ts-ss and Dan Wilson.

Joey DeFrancesco: In The Key Of The Universe   01.09.17

Joey DeFrancesco has stretched himself regularly throughout the course of thirty-plus albums. Just since Project Freedom(Mack Avenue, 2017) he's collaborated very productively for two albums with the Irish soulman Van Morrison—You're Driving Me Crazy (Sony Legacy, 2018) and The Prophet Speaks(Caroline, 2018). And, on In The Key of the Universe, the organist/trumpeter reaffirms his connection with jazz history through fruitful work with estimable musicians including saxophonist Pharoah Sanders and drummer Billy Hart.
DeFrancesco himself sounds effortless as he applies a light touch in play on "Inner Being," but that approach extends to the collective, incorporating the solid rhythmic presence of percussionist Sammy Figueroa. "Vibrations in Blue" is suitably atmospheric, but the ensemble swings nonetheless: on this record, metaphysics are no less important than the earthy side of life. Accordingly, the droning of sitar for the intro and outro of that latter cut resides right next to the high-stepping excursion that is "Awake and Blissed; " as with its surrounding tracks, the musicians are so fully engaged the visceral impact of this music equals the cerebral.

Joey DeFrancesco’s ‘Project Freedom’ Is A Balm In Uncertain Times   01.09.17

With his signature Hammond B3 organ at the foundation of each arrangement, Joey DeFrancesco and his band The People stretch out across genres. Pulling from the tried and true spirituals of the church, the freedom songs of American folk, the abiding sorrow of the blues and the swing of straight ahead jazz.

Jazz Organ Master Joey DeFrancesco Collaborates with Pharoah Sanders on ‘In the Key of the Universe”   01.09.17

The first track on the latest recording from Joey DeFrancesco is what you might expect from the organ expert and swinging veteran. "Inner Being" is a graceful, upbeat tune that layers DeFrancesco's organ colors with both Sammy Figueroa's percussion and the organic drumming of veteran Billy Hart. The passages of the composition in which the organ plays in melodic sync with the soprano saxophone of Troy Roberts (the native of Perth, Australia who has made New York his home in recent years) are lovely, launching an engaging set of solos...

Joey DeFrancesco, with Pharoah Sanders – ‘In the Key of the Universe’ (2019)   01.09.17

Here is what magically happens when you cross spiritual soul-jazz with bluesy soul-jazz.

For his latest album, Joey DeFrancesco chose to name it In the Key of the Universe, which is a very Pharoah Sanders type of title. Perhaps that’s because the iconic saxophonist himself is on this record: the de facto heir to the legacy of Jimmy Smith features the de facto heir to late-period John Coltrane mysticism.

Upcoming Tour Date

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Joey DeFrancesco

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  • Jul 23,2019 Munich, Germany Bayerischer Hof Night Club
  • Jul 23,2019 Munich, Germany Bayerischer Hof Night Club
  • Jul 25,2019 Pontevedra, Spain Pontevedra Jazz Festival
  • Aug 1,2019 Ystad, Sweden Ystad Jazz Festival
  • Aug 1,2019 Ystad, Sweden Ystad Jazz Festival
  • Aug 3,2019 Oulu, Finland Elo Jazz Festival
  • Aug 6,2019 Glen Ellyn, IL McAninch Arts Center
  • Aug 7,2019 Detroit, MI Cliff Bell's
  • Aug 7,2019 Detroit, MI Cliff Bell's
  • Aug 9,2019 Minneapolis, MN Dakota
  • Aug 10,2019 Montclair, NJ Montclair Jazz Festival