Jackiem Joyner Main Street Beat Review

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Jackiem Joyner Main Street Beat Review


A trinity of influences shaped saxophonist Jackiem Joyner’s creative process as he began writing and recording “Main Street Beat,” his sixth album due June 30. The award-winning hit-maker initially set out to make a funk record. He wanted the collection to pay tribute to his ardor and appreciation for the Motown sound. Thirdly, the self-produced set was inspired by the presence of his first-born child, Trinity, who was by her daddy’s side in the studio each and every day. “Trinity,” the energizing first single named for her “bouncy and bubbly little self,” arrives at radio ahead of the album and is bolstered by the fanciful fretwork of guitarist Steve Oliver.

A high-energy set showcasing Joyner’s impassioned horn play on tenor, soprano and alto sax, “Main Street Beat” evolved into much more than a funk record with R&B, contemporary jazz and pop nuances seeping into the mix. The grooves – many of which are infused with the soul power of a muscular sax section laid down in layers by Joyner – are undeniably danceable while his innate flair for crafting catchy hooks and buoyant melodies are prominent in the nine new songs that he penned for the project.

I am thinking that we should just take the Smooth Jazz genre and rename it R&B. This music is R&B right now. I mean, I would take Joyner, Boney James, Rick Braun, Norman Brown and Candy Dulfer over any of the R&B artists that are currently on the scene.

Just take Main Street Beat as an example.

The set opens with Main Street. It is an uptempo track that sets the tone for the entire album. It has an energy about it…one of anticipation. I think that comes from the first verse, where Joyner’s horn plays over the funky drum patch. When you hear the hook, you know you have a winner.

Back To Motown is up next. With a title like that, you kind of expect an old school feel to the track. That is exactly what you get. Back To Motown has a mid-tempo grove, and it is one that you will initially play on repeat to take in all of that goodness.

This brings us to one of the two remakes on the album. Can’t Stop The Feeling is the Justin Timberlake song. I really like the original, and this interpretation is just as good. The vocals are there on the chorus, so you can still sing along to this infectious groove. Listen to the bridge about two-thirds of the way through, and you will love the way Joyner plays that horn.

On Trinity, there are two stars on the track: the sax and the acoustic guitar. These two instruments play well together over another mid-tempo groove. Steve Oliver is the talent behind the guitar work. I have always loved the tone of his guitar. His sound is very unique.

Read the full piece from: Jazz World

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Jackiem Joyner #: ART7053 RELEASED: 06/30/17