"You get a singer like this once in a generation or two." - Wynton Marsalis

‘She connects with jazz’s past and prehistory while being entirely about risk and play in the present, making her voice go precise or foggy, deviating from pitch or hyper-elongating a syllable. It’s fantastic to see a young musician with this much intelligent control over her material and her audience.’ – NY Times

‘…a modernizing tour-de-force of pitch-perfect theatricality.’ – DownBeat